Tom and the monsters discover a sinister plot to hijack the Easter Bunny and steal all the Easter Eggs. Getting the Easter Eggs back to their rightful owners proves to be not as simple as they first thought.

In this latest adventure, Tom sneaks his monster pals in his suitcase and takes them on the family holiday. Meanwhile Moggie McNab, whose partner in crime is the infamous Count, steals "The Moping Marjory", a famous painting from the local art gallery. Can Tom and the monsters solve the crime and return the paintings to their rightful owner?

On Christmas Eve, Santa is accidentally knocked off his sleigh and arrives unexpectedly in Tom's fireplace. Dizzy and confused, Santa is unable to deliver any presents, so Tom and his monster pals step in to help.

Daniel, a brilliant chemistry teacher, is entangled between a vindictive friend and desperate drug dealer.

In 1969, John-Boy is a TV news anchorperson in New York and he is in the throes of writing a new book. He and a very pregnant Janet are making plans to return to Walton's Mountain for the celebration of John and Olivia's 40th wedding anniversary. Accompanying them to see the place John-Boy lived as a child is Aurora, a Time magazine photographer, who is doing a story on John-Boy. Meanwhile, Elizabeth arrives back from her travels and announces to Drew, who is still working at the mill with Ben, that she is back to stay. She is very upset to find that Drew did not wait for her, and that he has a new girlfriend. Also, problems arise for John-Boy and Janet because the longer John-Boy stays on the mountain, the more he becomes convinced that he would like to settle down there, raise his family, and continue with his writing whereas Janet wants to stay in New York.

This Easter, Billy has plans to help PJ find his first Easter egg. Dolly helps but Jeffy wants to catch the Easter Bunny. When he does, the entire family is surprised, even Sam. In the end, PJ is happy and the day is another wonderful Family Circus Easter.

Successful author, Mitch Stockridge, hides a monstrous secret of where his ideas come from.

The Old Vic in association with Bristol Old Vic, Jonathan Church Productions & Global Creatures’ present their Olivier Award-winning production, A Monster Calls. Thirteen-year-old Conor and his mum have managed just fine since his dad moved to America. But now his mum’s very sick and she’s not getting any better. His grandmother won’t stop interfering and the kids at school won’t look him in the eye. Then, one night, at seven minutes past midnight, Conor is woken by something at his window. A monster has come walking. It’s come to tell Conor tales from when it walked before. And when it’s finished, Conor must tell his own story and face his deepest fears. On publication, A Monster Calls became a bestseller with children and adults alike with its dazzling insight into love, loss and healing. It garnered huge critical acclaim, including an unprecedented double win of the Carnegie and Greenaway Medals for outstanding children’s literature and illustration.

In 2013, a video of three African-American pre-teens playing remarkably accomplished heavy metal in a New York street performance went viral. Sony records were quick to approach the group with a staggering $1.8 million dollar contract. With a title that makes a nod to Metallica documentary Some Kind of Monster, the film follows their journey into the industry machine, as a management Svengali attempts to prime them for mainstream success. Whilst committed to their music, the trio would often prefer to drink cola and skateboard than play the industry game in this endearing and original story.

A young girl named Maddy who becomes obsessed with love stories of her absent mother as told to her by her father and sets out on a journey to find her. Upon their re-connection, she learns that she is really an unwanted child of rape and becomes the target of elimination by her mother and her mother`s boyfriend, forcing her father to revert back to the violent lifestyle he left behind in order to save her life.